Home / International Digital Art Exhibition / Art Works / Strata #4

Strata #4


Original masterpieces and collections become raw canvas in Quayolaʼs work, as he anchors a video-based exploration in a conversation about archives, collage, intellectual property and the appreciation of an object. In an age of the Google Art Project, which offers unprecedented access to the literal surface of a painting, Quayola handles the time we spend looking at art as a plastic artifact, something to be sculpted and suspended. The gaze is a place where the logic of a picture unfolds, seemingly excavated from beneath the image.

Especially in Strata series, Quayola locates this practice within the archaeological process of layering or stratification. Strata #4 was originally commissioned as a multi-channel immersive video-installation for the Palais de Beaux Arts in Lille, France, where it debuted in October 2011. The subjects of this work are four grand altarpieces by Anton Van Dyke and Peter Paul Ruebensin the museumʼs Flemish collection: Van Dyckʼs Christ on the Cross (1628)and Rubensʼ Martyrdom of St. Catherine (1615), The Ecstasy of Mary Magdalene (1619) and The Descent from the Cross (1617). “Strata #4 is a study of the relationship between classical figuration and abstraction,” says Quayola. “It is based on universal rules of beauty and perfection. The movement on-screen creates a dialog between two eras, two dimensions.”