The Mirage of History

The Mirage of History

Aluan Wang

2015

Auto-run program, Non-repetitive

AudioVisual

“If we ‘saw’ the art of the past, we would situate ourselves in history.” Way of Seeing──John Berg

We solidify history in a specific space-time by recording images. Recordings are realities, which is why the emotional involvement of recorders may influence the viewers’ cognition of history.

During the Sunflower Student Movement, a huge amount of information was circulated among the protestants. However, the facts I learned and those I read from media coverage often diverged. In the interaction among groups with different positions, our emotions may be disturbed and the truth may be twisted as a result. I was a part of the movement. However, discrepancies existed between the facts I knew and the society’s common understanding. Were the facts I learned during that period incontrovertible? I found such ambiguity completely bewildering and disturbing.

It has been a year since the event occurred, but I still take it to heart and cannot let it go. Therefore, I try to restore everything I felt at that time through my artworks.

Aluan Wang

Artist Introduction

Aluan Wang earned his master’s degree from the Graduate School of New Media Art, Taipei National University of the Arts. He specializes in multimedia image design and interactive programming. He has devoted himself to the free software promotion event organized by OpenLab Taipei (coding) and served as a lecturer at major art museums. He also designs interactive images for theaters and dance troupes. Recently, he has been focusing on the creation of AudioVisual performances.